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**Õ ʵ¼Ê¿¼ÊÔÖеÄÒôÀÖ֪ʶ£¨Chapter 1£ºMusical Knowledge in Practical Exams£© ÐëÖª£¨What You Need to Know£© ʹÓÃÖ¸ÄÏ£¨How to Use This Book£© ÒôÀÖ֪ʶµÄÏà¹ØÎÊÌ⣨Musical Knowledge Questions£© µÚ¶þÕ ±êÌâ¼°Æ京Ò壨Chapter 2£ºTitles and Their Meanings£© ÈçºÎ²ûÊöÒ»¸ö±êÌ⣨How to Describe a Title£© ³£¼ûµÄÒôÀÖ±êÌ⣨Common Musical Titles£© µÚÈýÕ ³£¼ûÊõÓïµÄ¶¨Ò壨Chapter 3£ºDefinitions of Common Terms£© ³£¼ûµÄÒôÀÖÇúʽ£¨Common Musical Forms£© ÒôÀÖ·ç¸ñµÄ¶¨Ò壨Definitions of Styles£© ͨÓÃÊõÓGeneral Terms£© µÚËÄÕ Èý´óÖØÒªµÄÒôÀÖÇúʽ£¨Chapter 4£ºThree Important Musical Forms£© °ÍÂå¿ËÎ赸×éÇú£¨The Baroque Dance Suite£© ¹Åµä×àÃùÇú£¨The Classical Sonata£© ¸³¸ñ£¨The Fugue£© µÚÎåÕ ÊõÓïµÄ·­Ò루Chapter 5£ºTranslations of Terms£© Òâ´óÀûÊõÓïÒ»*³£¼ûµÄ152¸öÊõÓItalian Terms-Top 152£© ·¨ÓïÊõÓïÒ»*³£¼ûµÄ49¸öÊõÓFrench Terms-Top 49£© µÂÓïÊõÓïÒ»*³£¼ûµÄ40¸öÊõÓGerman Terms-Top 40£© µÚÁùÕ ÒôÀÖÊ·ÉϵÄÖ÷ҪʱÆÚ£¨Chapter 6£ºThe Main Periods in Music History£© °ÍÂå¿ËʱÆÚ֮ǰµÄÒôÀÖ£¨Pre-Baroque Music£© °ÍÂå¿ËʱÆÚ£º1600¡ª1750Ä꣨The Baroque Period£¬c.1600¡ª1750£© ¹ÅµäÖ÷ÒåʱÆÚ£º1750¡ª1825Ä꣨The Classical Period£¬C.1750¡ª1825£© ÀËÂþÖ÷ÒåʱÆÚ£º1825¡ª1920Ä꣨The Romantic Period£¬c.1825¡ª1920£© Ó¡ÏóÖ÷ÒåʱÆÚ£º1890¡ª1920Ä꣨The Impressionist Period£¬c.1890¡ª1920£© ÏÖ´úÒôÀÖʱÆÚ£º1900ÄêÖÁ½ñ£¨The Modern Period£¬c.1900¡ªpresent£© µÚÆßÕ µ÷Óëµ÷ʽ£¨Chapter 7£ºKeys and Modes£© µ÷¹Øϵ£¨Key Relationships£© ÆßÖÖµ÷ʽ£¨The Seven Modes£© µÚ°ËÕ ×÷Çú¼Ò£¨Chapter 8£ºComposers£© ÖØÒª×÷Çú¼ÒÐÅÏ¢±í£¨Table of Important Composers'Information£© µÚ¾ÅÕ ¿¼ÊÔ×¼±¸£¨Chapter 9£ºPreparation For Practical Exams£© ÄãµÄ¿¼ÊÔÇúÄ¿£¨Your Exam Pieces£© Ö¼ҳ¤£ºÊµ¼Ê¿¼ÊÔµÄÇóÖúÊֲᣨFor Parents£ºPractical Exam Survival Kit£© µÚʮՠÎÄÏ×£¨Chapter 10£ºReferences£© ½¨ÒéÑо¿µÄ²Î¿¼ÊéÄ¿£¨Suggested Study References£©