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Chapter One Introduction
1£®1 Research background
1£®2 Research questions and significance
1£®3 Research methodology
1£®4 Layout of the study

Chapter Two Literature Review
2£®1 Images in classic Chinese poetry11
2£®2 Image-G in classic Chinese poetry
2£®3 Research on image translation 15
2£®4 Research on image-G actualization29
2£®5 Summary

Chapter Three Theoretical Framework
3£®1 Introduction
3£®2 Embodiment and experiential basis of image-G
3£®3 Construal of image-G
3£®4 Image-G construal mode
3£®5 Theoretical framework of the present study

Chapter Four Translators'Construal of Image-G in Source Text
4£®1 Introduction
4£®2 Aesthetic embodied basis for translators' construal of image-G
4£®3 Gestalt characteristics of translators'recognition of image-G
4£®4 Cognitive dimensions of translators'construal of image-G
4£®5 Representation of image-G in literary discourse space
4£®6 Summary

Chapter Five Translators'Construction of Image-G in Target Text
5£®1 Introduction
5£®2 Complete correspondence
5£®3 Inclusive correspondence
5£®4 Crossed correspondence
5£®5 Disrelation
5£®6 Summary

Chapter Six Cognitive Translation Strategies of Image-G Actualization
6£®1 Introduction
6£®2 Im age-G preservation strategy
6£®3 Image-G reinforcement strategy
6£®4 Image-G restructuring strategy
6£®5 Image-G accretion strategy
6£®6 Image-G modulation strategy
6£®7 Summary

Chapter Seven Appraisal of Cognitive Translation Strategies£ºA Contrastive Analysis of Three Translated Versions of ¡°Jiangxue¡±
7£®1 Introduction
7£®2 Images and image-G in¡°Jiangue¡±
7£®3 Cognitive translation strategies adopled in three translated versions
7£®4 Summary

Chapter Eight Conclusion
8£®1 Research findings
8£®2 Research limitations and research pospts

References
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