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符号与传媒:总第11辑:2015秋季号:11 版权信息
- ISBN:9787561489062
- 条形码:9787561489062 ; 978-7-5614-8906-2
- 装帧:一般胶版纸
- 册数:暂无
- 重量:暂无
- 所属分类:>
符号与传媒:总第11辑:2015秋季号:11 本书特色
曹顺庆、赵毅衡主编的《符号与传媒(2015秋季号11)》为研究符号学的学术论文集,收录相关学术论文约20篇,研究内容涉及符号学前沿理论、符号学在当代文化研究中的应用、国外符号学研究介绍、符号学近著近译书评等方面,有较高的学术价值,对国内符号学研究有一定的指导意义。
符号与传媒:总第11辑:2015秋季号:11 内容简介
本书为研究符号学的学术论文集, 收录相关学术论文约20篇, 研究内容涉及符号学前沿理论、符号学在当代文化研究中的应用、国外符号学研究介绍、符号学近著近译书评等方面, 有较高的学术价值, 对国内符号学研究有一定的指导意义。
符号与传媒:总第11辑:2015秋季号:11 目录
文学研究如何面对广义叙述学出现的机遇和挑战
Narrative Complexity,Character,and Action:Reconfiguring Gender Norms and Genre Conventions in a Police Procedural
电影中的“自由间接引语”及其引发的主体冲突
A Semionarratological Study of Dreams
反讽时代的符号狂欢:广义叙述学视域下的网络弹幕文化
认知符号学专辑
Bats out of the Belfry:The Nature of Metaphor,with Special Attention to Pictorial Metaphors
关于认知符号学的思考:人文还是科学?
从人文到科学:认知符号学的立场
认知科学的演进及其与符号学关系的梳理
理论与应用
符号媒介论
Cinertlatic Regimes and the Dsappearing Factory in China
巴黎符号学学派的产生与发展
索绪尔《普通语言学教程》通行版与笔记版比较
对话主义本体:皮尔斯和洛特曼符号学视域中的文化标出性理论
书评
镜像世界的重构:评宗争《游戏学:符号叙述学研究》
马克思主义美学研究的多维度透视:评汪正龙《马克思与20世纪美学问题》
两性之维的符号学建构:评尤施卡《性别符号学》
音乐符号学的新进路:评塔拉斯蒂《音乐符号》
符号与传媒:总第11辑:2015秋季号:11 节选
《符号与传媒(2015秋季号11)》: All the while, I will be particularly interested in establishing if.there issuch a thing as pictorial metaphors (See Sonesson, 2003).According to Lakoff, metaphoricity depends on cognitive, rather than linguistic,structures, and thus may well be identical for language and pictures as well asother visual s'igns.Indeed, this seems'to be taken for granted by, for instance, Charles Forceville (2004—2009).Among students of pictorialsemiotics, on the contrary, the conclusion has been, as we will see, thatthere can be no pictorial metaphors, although other rhetorical figures are possible.I will suggest, however, that given the functional definition of themetaphor, inspired as much in Max Black (1962) as in Peirce, pictorial metaphors exist, but are differently manifested from those of verballanguage.On the other hand, the picture is an iconic sign, whether it contains metaphors or not, which is to say that all pictures share a property with metaphors, whether pictorial or not: that of being an iconic sign. Metaphor is, together with metonymy, one of the most abused terms ofsemiotics, starting from Jakobson's (1942) equation of the former with the syntagm, and the latter with the paradigm.This amounts to a confusion ofrelationships within sign systems with relationships between particular sign tokens or secondary relationships between signs.Indeed, metaphors, likemetonymies, are either created in a particular given text, or they are stock images, which relate signs, or at least sign contents, in stable relations,whereas syntagms and paradigms are constant primary relationships between signs.Moreover, the similarity present in a paradigm is often simply the position in the syntagm, whereas some more pregnant similarity relation is required in the metaphor. ……
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