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PrefaceChapter ¢ñ: The Expression of Individualities and Psychological Self Comfort¡ª¡ªThe Comparison of Historical Roles between Chinese and Western Paintings.The Carrier for Records of Human Events in Early Times - Rock and Cave PaintingsPottery Decoration and Decorations on Other WaresPaintings with Religious ThemesWestern Paintings from the Altar to a Man's WorldChinese Paintings of Propaganda, Education and SympathyChapter ¢ò: The Directness of the Hunting Style and the Restraint of the Farming Style¡ª¡ªA Comparison of Emotions between Chinese and Western Paintings.Directness and RestraintSense and SensibilityObjective and SubjectiveRestriction and OpeningChapter ¢ó Express in a Flat Way and Place Feelings on the Landscape¡ª¡ªA Comparison of the Tendency in Themes between Chinese and and Western PaintingsDifferent Expressive Ways on Same ThemesNarrative and Landscape PaintingsChapter ¢ô: Colours and Inks¡ª¡ªA Comparison of Colour Cone pts and Usage betweenChinese and Wesern PaintingsColours and Inks in LandscapesColour Taboos in PaintingFive-colour InksChapter ¢õ: Rich-colour Painting and Light Water-ink Painting¡ª¡ªArison of Skills between Chinese and Western PaintingsFocus and Scattered-points PerspectiveSurface and LineAddition and SubtractionAbstraction, Generalization and RepresentationParts and the WholeChapter ¢ö:Dialectics between Motion and Rest¡ª¡ªComparison of Representational Forms between Chinese and Western PaintingsAppendix: A Brief Introduction to Chinese and Western Painting Materials