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主体性的生成与危机:现代中国文学生产的文化政治 版权信息
- ISBN:9787561562970
- 条形码:9787561562970 ; 978-7-5615-6297-0
- 装帧:暂无
- 册数:暂无
- 重量:暂无
- 所属分类:>
主体性的生成与危机:现代中国文学生产的文化政治 内容简介
? ?? 《主体性的生成与危机:现代中国文学生产的文化政治??》运用?批评理论,试图对一系列中国现当代文学和文化文本提出新的分析思路和看法。分析的范围遍及现代女性文学和文化、现代通俗小说、现代文化理论的文化政治。它有助于对文化研究、批评理论、现当代文学和文化有兴趣的读者阅读。?
主体性的生成与危机:现代中国文学生产的文化政治 目录
Introduction
Part I. Realism Unbounded
Chapter One A Homeless Soul and a Misplaced Nostalgia Exiled Experience and Xiao Hong's Diasporic Literature
Chapter Two From Feminist to Party Intellectual? Identity Politics and Ding Ling's "New Women Stories"
Part II. Romanticism, Modernism, or Modern Literati's Novel?
Chapter Three An Alienated Mind Dreaming for Integration: Constrained Cosmopolitanism in Wumingshi's "Modern Literati Novel"
Chapter Four Illusionary Cosmopolitanism and Flawed Humanity: A New Interpretation of Xu Xu's "Modern Tales of the Strange"
Part III. Cross-Cultural Transaction in "Boudoir Stories"
Chapter Five Eileen Chang's Cross-Cultural Writing and Rewriting in Love in a Fallen City
Chapter Six Matrimonial Complex and Identity Anxiety:Eileen Chang's "Boudoir Stories" and the (Im-)Possibility of Modern Chinese Bourgeoisie
Part IV. Narrative Strategy under Middle-Class Consciousness
Chapter Seven Double Pitfalls for Chinese "New Women": Mei Niang's Fictional Narrative of the Colonial Society
Chapter Eight Making a Historical Fable:The Narrative Strategy of Lust, Caution and Its Social Repercussions
Part V. Peasants' Habitus and "National Form"
Chapter Nine "Problem Stories as Part of the National Form:" Rural Society in Transition and Zhao Shuli's Peasant Stories
Chapter Ten From "Use of Old Forms" to "Establishment of a National Form'.A Re-Evaluation of Mao's Agenda of Forging a Cultural-Political Nation
Conclusion
Some Thoughts on the Origin of Modern Chinese Literature
References
Part I. Realism Unbounded
Chapter One A Homeless Soul and a Misplaced Nostalgia Exiled Experience and Xiao Hong's Diasporic Literature
Chapter Two From Feminist to Party Intellectual? Identity Politics and Ding Ling's "New Women Stories"
Part II. Romanticism, Modernism, or Modern Literati's Novel?
Chapter Three An Alienated Mind Dreaming for Integration: Constrained Cosmopolitanism in Wumingshi's "Modern Literati Novel"
Chapter Four Illusionary Cosmopolitanism and Flawed Humanity: A New Interpretation of Xu Xu's "Modern Tales of the Strange"
Part III. Cross-Cultural Transaction in "Boudoir Stories"
Chapter Five Eileen Chang's Cross-Cultural Writing and Rewriting in Love in a Fallen City
Chapter Six Matrimonial Complex and Identity Anxiety:Eileen Chang's "Boudoir Stories" and the (Im-)Possibility of Modern Chinese Bourgeoisie
Part IV. Narrative Strategy under Middle-Class Consciousness
Chapter Seven Double Pitfalls for Chinese "New Women": Mei Niang's Fictional Narrative of the Colonial Society
Chapter Eight Making a Historical Fable:The Narrative Strategy of Lust, Caution and Its Social Repercussions
Part V. Peasants' Habitus and "National Form"
Chapter Nine "Problem Stories as Part of the National Form:" Rural Society in Transition and Zhao Shuli's Peasant Stories
Chapter Ten From "Use of Old Forms" to "Establishment of a National Form'.A Re-Evaluation of Mao's Agenda of Forging a Cultural-Political Nation
Conclusion
Some Thoughts on the Origin of Modern Chinese Literature
References
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