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chapter 1 ezra pound and skopos theory
1.1 ezra pound£ºlife and works
1.2 skopos theory

chapter 2 skopos of imagism
2.1 luminous detail¡ª¡ªemotional equation
2.1.1 detail¡ª¡ªconcrete imagery
2.1.2 luminous¡ª¡ªemotional force
2.2 permanent metaphor
2.2.1 union of subject and object
2.2.2 interpretation of taciturn emotion
2.3 ideogrammic method¡ª¡ªsculptural beauty in language
2.3.1 origin of ideogrammic poetry
2.3.2 ideogram as reflection of nature
2.3.3 ideogram in pictorial etymology
2.3.4 etymological translation
2.4 absolute rhythm¡ª¡ªmusical aesthetics in poetry
2.4.1 preservation of music¡ª¡ªsequence of musical phrase
2.4.2 musical accordance with emotional force

chapter 3 skopos of modernist poetry
3.1 modernism and modernist poetry
3.2 decentralization of ego
3.2.1 depersonalization of objective reality¡ª¡ªconcreteness
3.2.2 depsychologization of objective reality¡ª¡ªrestraint
3.2.3 defiance of authorial presence
3.3 self-consciousness of poet
3.3.1 abandonment of religion
3.3.2 abandonment of reason¡ª¡ªgerminal consciousness
3.4 free verse
3.4.1 colloquial language
3.4.2 simplicity and austerity of language
3.4.3 influence of free verse

chapter 4 skopos of history rejuvenation
4.1 skopos of restoration of order
4.1.1 social chaos as background o{ pound's translations
4.1.2 restoration of order against chaos
4.2 skopos of history preservation
4.2.1 selection of translation works
4.2.2 time perspective of universality
4.3 skopos of "make it new"
4.3.1 "make it new" against poetic stagnation
4.3.2 "make it new" in poetic experiment

bibliography
appendix cathay