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Preface
Chapter I Rhythmic Subtlety vs Metrical Inspiration¡ª¡ªComparison of Chinese and Western Poetry.
Section I. Secular Songs vs Religious Hymn: Difference in Subject Matter
Section II. Shifting vs Relative Stability: Comparison in Poetic Forms
Section III. Rich Techniques vs Predilection for Symbolism: Difference in Techniques
Section IV. Different View on War and Death: Difference in Values
Chapter II Abstract Ideation vs Vivid Description¡ª¡ªA Comparison of Chinese and Western Prose
Section I. Philosophical Strength vs Emotional Vigor: Comparison of Chinese and Western Prose
Section II. Fu and Dialogue Form Prose: Comparison of Specific Styles
Section III. Individualism vs Collectivism: Values reflected in Chinese and Western Essays
Section IV. Impact of Western Prose on Chinese Prose
Chapter III The Art of Alienation and Integration¡ª¡ªComparison of Chinese and Western Drama
Section I. Singular in Time and Space: Different Origins of Chinese and Western Drama
Section II. Undiluted Tragedy vs Aesthetic Grief: Comparison of Dramatic Tragedies
Section III. Alienation vs Integration: Difference of the Relationships between Actors and Audience
Section IV. Exchanges and Assimilation
Chapter IV Versatility vs Relative Uniformity¡ª¡ªComparison of Chinese and Western Fictions
Section I. Steady Development vs Catching up: Development of Chinese and Western Fictions
Section II. Direct Portrayal vs Indirect Rendering: The Psychology in Chinese and Western Fiction
Section III. Absence vs Awakening: Feminist Consciousness in Chinese and Western Fictions
Section IV. Chinese Fiction under the Influence of Western Ideas: Impact and Assimilations