ÍþÁ®É¯Ê¿±ÈÑÇ(Ó¢ÎÄ)½£ÇÅÎÄѧÃû¼ÒÑÐϰϵÁÐ(ÃÀ¹ú¾í)Ö®Ò»

List of figures and tablesPrefaceChapter 1 CharacterJuliet's balcony, VeronaShakespeare's realism?Shakespeare's 'unreal' charactersReading Shakespeare's characters on the pageEmbodying Shakespeare's characters on stageDoubling on the early modern stageWriting for particular actorsFalstaff£ºcharacter as individual or type?Naming and individualityCharacters as individuals or as inter-relationshipsCharacter£ºinterior or exterior?Character£ºwhere next?Chapter 2 PerformanceMeasure for Measure. staging silence'Going back to the text'£ºthe challenge of performancePerformance interpretations£ºThe Taming of the ShrewTopical performance£ºthe plays in different theatrical contextsCiting performancesUsing filmUsing film comparatively£ºMacbethHamlet:'To be or not to be'Adaptations£ºShakespearean enough?Performance£ºwhere next?Chapter 3 TextsShakespeare's handSo what did Shakespeare write?Stage to pageQuartos and FolioEditing as interpretationThe job of the editor£ºthe example of Richard ¢òStage directionsSpeech prefixesThe job of the editor£ºthe example of KingLearTexts£ºwhere next?Chapter 4 Language'In a double sense'(Macbeth 5.7.50)Did anyone really talk like that?Playing with languageLanguage of the play/language of the personProse and verseLinguistic shifts£ºi Henry ¢ôShakespeare's verseLinguistic variation£ºA Midsummer Night's DreamLanguage£ºwhere next?Chapter 5 StructureFinding the heart of the playShakespeare's genres£ºdynamic, not staticTragedy and comedyTragedy-expanding the genreComedy-expanding the genreHistory£ºis this a fixed genre?Structuring scenes£ºMuch Ado About NothingJuxtaposing scenes, activating ironies£ºHenry VShowing v. tellingStructure£ºwhere next?Chapter 6 SourcesAntony and Cleopatra and PlutarchOriginality£ºwas Shakespeare a plagiarist?Shakespeare at work£ºthe intentional fallacy?The source bites back£ºRomeo and Juliet and The Winter's TaleThe strong poet? King LearSources£ºwhere next?Chapter 7 HistoryPolitic picklocks£ºinterpreting topicallyHistory plays£ºpolitical Shakespeare?History plays£ºShakespeare as propagandist?Hamlet as history play?Jacobean patronage£ºKing Lear and MacbethHistorical specificity£ºgender rolesRace and OthelloHistory£ºwhere next?BibliographyIndex